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Core Value: The Bose S1 Pro+ is a 14.4-pound, battery-powered portable PA system featuring factory-integrated wireless RF receivers on Channels 1 and 2, delivering a rapid, cable-free karaoke configuration.

Microphone Selection: Users can deploy official Bose 2.4 GHz wireless XLR transmitters for ultra-portable single/dual setups, or run external dual UHF wireless microphone receivers into the rear combo jacks for extended RF range and multi-channel isolation.

Music Playback & Latency: Bluetooth 5.0 accommodates quick backing tracks, but wired 3.5mm AUX or optical-to-analog converters connected to a Smart TV or iPad eliminate the 100–200ms audio-video lip-sync delay inherent to wireless codecs.

Vocal Optimization: Onboard DSP includes proprietary ToneMatch presets, two-band channel EQ (Treble and Bass), and digital Reverb per channel, bypassing the necessity for fundamental outboard vocal processors.

Expandability: Expanding to multi-singer setups beyond two microphones requires patching an analog sub-mixer (e.g., Yamaha MG06X or Soundcraft Notepad-5) into one of the combo inputs or linking a second S1 Pro+ via balanced 1/4″ XLR line-out.

ParameterBose 2.4 GHz XLR SystemThird-Party UHF Dual System
Transmission Frequency2.4 GHz digital frequency-hopping500 – 900 MHz Ultra High Frequency
Setup ClutterZero external cables; direct bay syncExternal receiver box, power supply, patch cables
Channel Density1 microphone per transmitter2+ microphones into 1 dual-channel base unit
Docking / ChargingSlides directly into S1 Pro+ charging portsRequires external AA batteries or proprietary docks
Latency< 4{ ms} (imperceptible)< 3{ ms} (analog-level real-time)

The Bose S1 Pro+ represents a gold standard in portable acoustic reinforcement, bridging the divide between professional live PA capabilities and consumer home entertainment. Weighing only 14.4 lbs (6.5 kg) and driven by a multi-position enclosure that automatically triggers onboard accelerometers to optimize internal EQ curves, it delivers 109 dB peak SPL without tethering the performer to an AC power outlet.

For karaoke enthusiasts, mobile hosts, and live buskers, this unit solves the chronic pain point of consumer karaoke boxes: muddy vocal representation, excessive cabling, and restricted dynamic headroom. The evolution from the original Bose S1 Pro to the S1 Pro+ lies in its digital architecture. Bose replaced analog potentiometer dials with rotatable digital OLED push-encoders and integrated internal RF receiver modules into Channels 1 and 2.

Performers no longer need to carry outboard wireless receiver chassis, dynamic-to-unbalanced adapters, or independent wall warts. By pairing the speaker with low-latency wireless transmitters and correctly routing high-definition backing audio, the S1 Pro+ morphs into an audiophile-grade, ultra-responsive karaoke staging station.

Essential Equipment & System Requirements

A professional-grade Bose S1 Pro+ karaoke setup requires specific components to optimize the signal chain, protect against digital transmission lag, and maintain vocal clarity.

Hardware Checklist

  • Primary Sound Reinforcement: Bose S1 Pro+ Wireless PA System.
  • Vocal Microphones: Dynamic handheld microphones (e.g., Shure SM58, Sennheiser e835, or dynamic capsule handhelds integrated with 2.4 GHz or UHF transmitters).
  • Wireless Transmission Rig: Official Bose Wireless Mic/Line Transmitters (XLR) or an external dual-channel UHF wireless system (e.g., Shure BLX288, Phenyx Pro PTU-71, Tonor TW-820).
  • Backing Track Source: Smart TV (Apple TV, Google TV, Samsung Tizen), Apple iPad, iPhone, Android tablet, or dedicated karaoke hardware (e.g., Karafun player machine).
  • Interconnects & Converters:
    • 3.5mm TRS stereo-to-dual 1/4″ TS cable (or single 3.5mm to 3.5mm AUX).
    • Balanced female-to-male XLR cables (shielded oxygen-free copper).
    • Digital-to-Analog Audio Converter (DAC) with TOSLINK Optical input and 3.5mm/RCA analog output (critical for latency-free Smart TV setups).
    • USB-C to USB-A/C data cable (if integrating a laptop as a direct digital audio interface).

Bose Wireless Transmitters vs. Third-Party UHF Systems

Choosing the right wireless system dictates the balance between aesthetic portability and multi-singer versatility.

[Bose S1 Pro+]
   ├── Channel 1: Built-in RF Receiver <--- [Bose 2.4 GHz XLR Transmitter] <--- Dynamic Mic
   ├── Channel 2: Built-in RF Receiver <--- [Bose 2.4 GHz XLR Transmitter] <--- Dynamic Mic
   └── Channel 3: 3.5mm Wired / Bluetooth <--- Backing Audio (TV, iPad, PC)

The Bose 2.4 GHz XLR Transmitter is purpose-built for the S1 Pro+. It plugs directly into the bottom of any standard XLR dynamic microphone. When inserted into the designated storage slots on Channels 1 and 2 of the S1 Pro+, the speaker recharges the transmitter’s internal lithium-ion cell (rated for up to 4 hours of continuous use) and pairs the radio frequency automatically. However, because it relies on the crowded 2.4 GHz Wi-Fi spectrum, environments with heavy Wi-Fi congestion can occasionally introduce signal drops if operated beyond a 30-foot clear line of sight.

Dual-Channel UHF Systems feature a base station receiver operating in the 500–900 MHz radio band, routing into the S1 Pro+ using balanced 1/4″ or XLR patches into Channels 1 and 2. UHF signals penetrate physical obstacles more effectively and offer hundreds of switchable pilot-tone frequencies. While this configuration introduces external cables and requires dedicated power for the receiver, it is the superior choice for crowded party environments or venues where multiple wireless networks operate simultaneously.

Step-by-Step Bose S1 Pro+ Karaoke Setup Guide with Wireless Mic

Achieving studio-quality karaoke audio requires methodical signal routing, proper gain staging, and precise master calibration.

AUDIO FLOW:
[Vocal Mic] ---> [Wireless Tx] - - (RF Link) - - > [S1 Pro+ Ch 1/2 (OLED Gain Adjust)]
                                                                │
[Smart TV / iPad] ---> [Optical DAC / 3.5mm Aux] ---> [S1 Pro+ Ch 3 (Level Adjust)] ──> [DSP Engine: ToneMatch + Reverb] ──> [Multi-Position Drivers]

Step 1: Connecting the Wireless Microphone System

Option A: Setting up the Bose Wireless XLR Transmitter

  1. Power on the Bose S1 Pro+ by pressing the main power switch located on the rear I/O panel.
  2. Remove the Bose Wireless XLR Transmitter from its internal charging bay on Channel 1 or Channel 2.
  3. Plug the transmitter firmly into the base of your dynamic microphone until the metal XLR latch clicks into place.
  4. Press and hold the power button on the transmitter. The LED on the transmitter will illuminate solid white, confirming the automatic RF handshake with the internal receiver of the selected channel.
  5. Verify that the channel display on the S1 Pro+ switches from a standard cable icon to the wireless transmitter status icon, showing real-time battery life and link status.

Option B: Integrating Third-Party Dual Wireless Mic Systems

  1. Position the external dual UHF receiver unit adjacent to the S1 Pro+.
  2. Connect Channel A Audio Output (XLR or 1/4″ balanced) of the receiver into Channel 1’s XLR/TRS combo jack on the Bose S1 Pro+.
  3. Connect Channel B Audio Output into Channel 2’s XLR/TRS combo jack.
  4. Power on the UHF base unit and turn on both handheld microphones. Set the frequencies to clean, unallocated bands using the receiver’s auto-scan utility.
  5. On the Bose S1 Pro+, press the rotary knob for Channel 1 and Channel 2 to access the menu, ensuring the input impedance is correctly configured to receive a Line or Mic level signal depending on the output switch of your external base unit.

Step 2: Routing the Karaoke Backing Track (Music Source)

Backing audio carries the instrumental foundation and onscreen lyric timing. Choosing how to inject this audio into Channel 3 directly dictates system responsiveness.

Method 1: Bluetooth Streaming (Channel 3 / Aux)

Press and hold the Bluetooth button on Channel 3 until the blue light blinks. Open the Bluetooth settings on your iPad, smartphone, or laptop and select “Bose S1 Pro+”. Once paired, audio sent from apps like YouTube or Spotify will stream to the S1 Pro+. Note: While convenient, Bluetooth introduces audio latency that can disorient singers relying on visual lyric prompts.

Method 2: Wired Low-Latency Audio Connection (Recommended)

To eliminate latency entirely:

  • From a Tablet/Phone: Use a certified USB-C/Lightning-to-3.5mm audio adapter. Connect a 3.5mm TRS stereo auxiliary cable directly from the adapter into the 3.5mm Aux jack on Channel 3 of the S1 Pro+.
  • From a Smart TV: Run an optical cable from the TV’s Optical Audio Out into a low-latency Digital-to-Analog Converter (DAC). Route a 3.5mm cable or RCA-to-3.5mm cable from the DAC’s analog output into the Channel 3 Aux port on the S1 Pro+. Ensure the TV’s audio output is set to PCM (Stereo), as the S1 Pro+ cannot decode multi-channel Dolby Digital or DTS bitstreams.

Method 3: USB-C Live Stream / Audio Interface Mode

Connect a USB-C data cable from a laptop running professional karaoke software (e.g., Karafun, OpenKJ) directly into the USB-C service/audio port on the rear of the S1 Pro+. The Bose digital processing engine recognizes the host system as a class-compliant stereo audio device, allowing direct, uncompressed digital-to-analog conversion at 48\text{ kHz} / 24\text{-bit} resolution without separate audio interfaces.

Step 3: Gain Staging and Volume Balancing

Improper gain staging causes either weak, buried vocals or harsh, unmusical digital distortion. The total output should obey clean dynamic thresholds:

Gain_{Total} = Gain_{Input} + Gain_{DSP} – Attenuation_{Clipping}
  1. Vocal Channel Calibration: Turn the Channel 1 rotary control knob clockwise. Have the vocalist sing their loudest passage directly into the microphone capsule (approximately 1 to 2 inches away). Observe the channel’s signal indicator LED. Adjust the gain until the LED glows solid green with occasional flashes of yellow during absolute peaks. If the LED flashes red, the internal preamp is clipping; immediately rotate the knob counterclockwise until the red light ceases entirely.
  2. Backing Track Integration: Set the source device’s internal output volume (iPad, TV, or laptop) to approximately 80\text{--}85\%. This prevents internal digital clipping from the host operating system. Then, slowly raise Channel 3 volume on the S1 Pro+ until the music comfortably supports the room without overpowering conversation levels.
  3. Master Balance: Match vocal energy against the instrumental mid-range frequencies. As a practical baseline, live vocals should sit roughly 3\text{ dB} higher than the mid-range instrumentation of the backing track to maintain lyrical intelligibility.

Vocal Audio Tuning: ToneMatch, EQ, and Reverb Settings

The onboard DSP engine inside the Bose S1 Pro+ provides direct parameter controls that replace traditional outboard analog channel strips.

VOICE INPUT ---> [ToneMatch: Dynamic Mic Engine] ---> [Bass: -2 dB] ---> [Treble: +2 dB] ---> [Reverb: 35%] ---> FOH MIX

Leveraging Bose ToneMatch Presets

The proprietary Bose ToneMatch technology applies specialized equalization curves calibrated to match the natural acoustic profiles of specific transducer types:

  • Microphone Setting: Access the channel menu by pressing the channel rotary encoder. Navigate to ToneMatch and select Vocal Mic (or Dynamic Mic depending on firmware rev).
  • Acoustic Function: This preset introduces a surgical parametric high-pass filter that removes inaudible low-frequency sub-rumble below 80\text{ Hz} while boosting clarity around the presence peak (2.5\text{ kHz} - 5\text{ kHz}), instantly making standard dynamic microphones like the Shure SM58 or Sennheiser e835 sound open and dimensional.

Shaping the Frequency Response (EQ)

Every vocal tone interacts differently with the acoustic boundaries of a room. Use the onboard two-band shelving equalizer to clean up the mix:

  • Bass (Low End): Set the Bass between -1 dB and -3 dB. Close-mic proximity effect artificially exaggerates bass frequencies when a singer’s lips touch the grille. Trimming low frequencies cleans up chest resonances and stops low-end muddiness from bleeding into the backing track.
  • Treble (High End): Set the Treble between +1 dB and +3 dB. This adds “air” and enhances high-frequency sibilance articulation, helping casual singers cut through dense instrumental tracks without pushing channel volume to feedback thresholds.

Applying Onboard Reverb

Dry vocals sound stark and unforgiving in karaoke performances. The S1 Pro+ features a digital stereo hall-style reverberation algorithm:

  • Press the channel knob, select Reverb, and adjust the parameter to approximately 30% to 40%.
  • Keep the reverb below 50%. Excessive wet signal lengthens the decay envelope, muddying rapid lyric deliveries and inducing premature acoustic feedback loops in reflective rooms.

App-Based Remote Control via Bose Music App

The Bose Music App (iOS and Android) interfaces with the S1 Pro+ via low-energy Bluetooth (BLE), turning a smartphone or tablet into a front-of-house mixing console:

[Performer w/ Mic] <================= Sound Waves =================> [Bose S1 Pro+]
                                                                            │
[Audience Perspective Host] <--- (BLE Link: Adjust EQ/Reverb/Vol) <────────┘
  • Live Walking Sound Checks: Stand where the audience sits and adjust individual channel gains, mute statuses, master volume, and ToneMatch curves in real time.
  • Preset Storage: Save bespoke EQ configurations under custom Scene names (e.g., “Duet Acoustic Ballad,” “High-Energy Pop”) to switch vocal processing settings between performers instantly.

Advanced Karaoke Configurations

Setting Up Duets: Two Mics on One Bose S1 Pro+

Duets maximize the physical layout of the S1 Pro+ without requiring extra hardware:

  • Route Mic 1 into Channel 1 (Bose Wireless Transmitter A).
  • Route Mic 2 into Channel 2 (Bose Wireless Transmitter B).
  • Stream or hardwire the backing track exclusively through Channel 3.
  • Because Channels 1 and 2 feature independent OLED channel strips, you can tailor EQ and Reverb uniquely to each singer’s vocal timbre (e.g., higher treble for a baritone, rolled-off high frequencies for a sharp soprano).

Adding an External Audio Mixer or Vocal Effects Processor

For performers who require traditional hardware effects like stereo delay, ping-pong echo, or pitch correction:

  1. Connect microphones directly into an external processor (such as a TC-Helicon VoiceLive, Boss VE-2, or an analog mixer like the Yamaha MG06X).
  2. Set your vocal compression, slapback echo, and harmonies within the outboard device.
  3. Run the stereo or mono output from the external mixer via balanced 1/4″ TRS cables into Channel 1 and/or Channel 2 of the S1 Pro+.
  4. Crucial Setting: Turn the ToneMatch preset on the Bose S1 Pro+ to Flat / Off. This disables internal microphone EQ profiles and lets the external mixer deliver uncolored line-level audio directly to the power amplifier.

Daisy-Chaining for Larger Venues: Dual Bose S1 Pro+ Setup

For wide outdoor spaces, large halls, or venues exceeding 75 people, link two Bose S1 Pro+ units to double acoustic displacement and dispersion:

[Audio Source] + [Mics] 
         │
         ▼
[Primary S1 Pro+] ─── (Line Out: Balanced 1/4" TRS to XLR) ───> [Secondary S1 Pro+]
(Mixer / Processing Engine)                                     (Set to Line Level, Flat EQ)
  1. Designate unit one as the Primary Unit and connect all microphones, instruments, and music sources to it.
  2. Connect a balanced 1/4″ TRS cable (or 1/4″ TRS to male XLR) into the Line Out jack on the rear of the Primary Unit.
  3. Plug the opposite end into Channel 1 of the Secondary Unit.
  4. Set the Channel 1 input on the Secondary Unit to Line Level with ToneMatch set to Off/Flat, Bass and Treble at 0 dB, and Reverb set to 0%.
  5. Adjust the master volume on the secondary speaker to match the output level of the primary unit. Alternatively, use the Bose Music App to link both speakers via the Dual-Mono or Stereo software architecture.

Troubleshooting Common Bose S1 Pro+ Karaoke Issues

Audio Delay & Lip-Sync Lag (Bluetooth Latency)

Direct Answer: Audio latency during karaoke over Bluetooth is caused by codec processing buffers (SBC/AAC) delaying sound by 100 to 220 milliseconds. Fix this by switching from Bluetooth to an analog 3.5mm AUX or optical-to-analog converter cable.

LATENCY COMPARISON:
Bluetooth (SBC/AAC Codecs) : [Video/Lyrics] ────────────────────────► Audio arrives +150ms to +220ms LATE (Disorienting)
Analog 3.5mm AUX / Optical : [Video/Lyrics] ──► Audio arrives < 5ms (Imperceptible, Real-Time Sync)

Bluetooth decoding prioritizes buffer stability over latency, creating a visual disconnect where the singer reads lyrics on screen before hearing the corresponding musical downbeat. If hardwiring is impossible:

  • In the YouTube or streaming app settings, disable “Spatial Audio” or high-bitrate multichannel processing.
  • Lower streaming resolution to reduce hardware-level decoding bottlenecks on the host device.

Eliminating Acoustic Feedback (Howling & Squealing)

Direct Answer: Feedback occurs when amplified sound from the speaker re-enters the microphone capsule in an infinite loop. Fix this by positioning the Bose S1 Pro+ in front of the singer, angling the speaker away from reflective glass, and cutting Channel Reverb and Treble.

Feedback is dictated by loop gain:

A_{loop} = A_{amp} \times \beta_{acoustic} \ge 1 \implies \text{Oscillation (Howling)}
  • Geometry: Never stand directly in front of the S1 Pro+ while pointing a microphone at the front grille. Always place the speaker forward of the performer’s microphone diaphragm.
  • Mic Technique: Instruct performers to wrap their fingers only around the microphone handle. Cupping the microphone grille turns a cardioid polar pattern into an omnidirectional pattern, instantly triggering high-pitched squeals.
  • Room Reflections: If performing in a room with bare tile floors and floor-to-ceiling windows, tilt the S1 Pro+ backward or mount it on a speaker pole above head height (6.5\text{ ft}) pointing down toward the center of the audience to absorb high frequencies.

Mic Volume Too Low Compared to Music

Direct Answer: Low microphone volume relative to music indicates an input level mismatch. Fix this by setting the S1 Pro+ input channel from Line level to Mic level, maximizing the physical wireless transmitter output, and reducing the music source volume to 80%.

  • Input Sensitivity: Verify the channel’s input setting. If a microphone running through a wireless receiver outputting a mic-level signal is plugged into an input configured for Line level, the overall amplitude will sound quiet and weak.
  • Transmitter Gain Trimpot: If using third-party UHF microphones, locate the digital volume or analog trimpot inside the microphone battery casing and increase it until the level matches typical line sources.
  • Music Normalization: Within Spotify, YouTube, or Apple Music, toggle on Audio Normalization (Sound Check). This stops dynamic volume spikes on backing tracks from suddenly overpowering the singer’s voice.

Performance Best Practices & Placement

The physical placement of the Bose S1 Pro+ directly dictates acoustic directivity and low-frequency reinforcement due to its internal multi-angle physical cabinet and automated accelerometers.

       ELEVATED (POLE MOUNT)               TILT-BACK MONITOR
      (Maximum Room Projection)        (Intimate Floor Performance)

            ┌──────┐                             ┌──────┐
            │ [::] │                            /  [::] /
            └─┬──┬─┘                           /  [::] /
              │  │                            /______/
              │  │                            ════════════════
             /    \                           Solid Stage / Hardwood
      Audience Coverage: Broad           Coverage: Focused directly upward

Strategic Placement Options

  • Elevated (Speaker Stand Mount): Uses the built-in 35mm pole mount cup. This is the optimal configuration for karaoke gatherings of more than 15 people. Raising the high-frequency drivers above standing head height eliminates acoustic absorption from bodies in the front row, projecting the vocals evenly to the back of the room.
  • Tilt-Back Mode: Place the S1 Pro+ on the floor angled back at 40^\circ. This orientation activates the internal boundary equalization, maintaining clear vocal presence while using the floor as an acoustic boundary to gently enhance bass frequencies. It works well for casual living room performances.
  • Horizontal Monitor Position: Place the unit on its side on a table or stage deck facing the singers. This switches the internal dispersion pattern into a dedicated near-field vocal wedge monitor, providing maximum vocal monitoring while an external PA handles the audience mix.

Battery Power Management

  • Runtime Calibration: The internal 92 Wh lithium-ion battery provides up to 11 hours of runtime at low-to-moderate background music levels. At high-volume karaoke levels (> 95\text{ dB SPL}) with digital reverb active, expect between 4 and 6 hours of continuous performance.
  • Quick-Charge Capabilities: Using a standard AC connection, the unit recharges from 0\% to 100\% in roughly 5 hours, or around 2.5 to 3 hours when utilizing the built-in Quick Charge cycle while the main unit is powered off.
  • Transmitter Preservation: When not in active use, dock the wireless transmitters into their internal bays. The speaker will draw a small charge from its main internal pack to keep the transmitters topped up at 100% capacity.

The Bose S1 Pro+ simplifies portable live sound by replacing bulky outboard gear with clean, integrated design. By incorporating internal RF receivers, professional ToneMatch vocal curves, and a clean three-channel architecture, it eliminates the messy cable runs and feedback headaches common to traditional karaoke machines.

For quick living-room karaoke, pairing two Bose 2.4 GHz XLR wireless transmitters with a hardwired 3.5mm low-latency backing track delivers clean, reliable vocal performance. For larger outdoor parties or multi-singer events, routing an external dual UHF microphone system into the S1 Pro+ provides rock-solid signal coverage and extended wireless range. Follow proper gain staging principles and let the onboard DSP do the heavy lifting to turn this lightweight PA into a stage-ready vocal rig anywhere you set it down.

Frequently Asked Questions (FAQ)

Can I connect two wireless microphones directly to the Bose S1 Pro+ without a mixer?

Direct Answer: Yes. You can connect two wireless microphones directly to the Bose S1 Pro+ by utilizing Channels 1 and 2 simultaneously with either two Bose 2.4 GHz XLR wireless transmitters or a dual-channel third-party wireless receiver.

Channels 1 and 2 feature independent combo XLR/TRS inputs, discrete preamp stages, individual ToneMatch equalization, and dedicated Reverb parameters. The music source routes untouched into Channel 3 via 3.5mm AUX, USB-C, or Bluetooth, allowing two people to sing duets with independent vocal levels without needing an external audio mixing console.

Does the Bose S1 Pro+ have an “Echo” effect for karaoke?

Direct Answer: No, the Bose S1 Pro+ does not have a native Echo or Delay effect; it features a digital Reverb algorithm. If traditional Echo is required, an external vocal pedal or mini mixer must be added to the signal chain.

The S1 Pro+ onboard DSP is designed for professional PA reinforcement and studio-quality vocal spaces. It provides smooth, ambient Reverb (hall/plate acoustic modeling) rather than rhythmic repeat delays (Slapback Echo). Performers who prefer classic karaoke-style echo can insert an inexpensive vocal multi-effects processor (like a TC-Helicon or Boss VE series unit) between the microphone and the Bose input channel, leaving the onboard reverb set to zero.

How do I stop vocal lag when singing karaoke over Bluetooth?

Direct Answer: To permanently eliminate vocal and backing track lag, bypass Bluetooth transmission entirely and hardwire your audio device using a shielded 3.5mm AUX or USB-C cable.

Bluetooth latency is an unavoidable physical limitation of standard wireless consumer audio codecs (which introduce 100–220ms of transmission delay). While casual music playback adjusts for this buffer, live singing requires immediate acoustic feedback (< 10{ ms}). Plugging a cable from your TV, iPad, or phone headphone output into the Channel 3 Aux jack drops latency down to near-zero, keeping the singer’s voice locked in sync with the onscreen lyrics.

Can the Bose wireless transmitters work with any dynamic microphone?

Direct Answer: Yes, the Bose Wireless Mic/Line XLR Transmitter is compatible with virtually any standard, low-impedance dynamic vocal microphone featuring a standard 3-pin male XLR output.

The transmitter works reliably with industry-standard models including the Shure SM58, Shure Beta 58A, Sennheiser e835, e935, and Electro-Voice ND76. It does not supply 48V phantom power, meaning standard studio condenser microphones cannot be powered directly by the transmitter without a separate external phantom power supply inline.

Can I power the Bose S1 Pro+ and charge the wireless transmitters simultaneously?

Direct Answer: Yes. When the Bose S1 Pro+ is connected to AC wall power, it powers its main amplifier while simultaneously charging both its internal lithium-ion battery and any transmitters docked in the Channel 1 and 2 storage bays.

Even when operating strictly on internal battery power out in the field, the S1 Pro+ will trickle-charge the docked wireless transmitters from its main battery bank, ensuring your wireless hardware stays fully charged between performance sets.

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